檔案:Mencius.jpg

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Myths & Legends of China By E.T.C. Werner H.B.M. Consul Foochow (Retired) Barrister-at-law Middle Temple Late Member of The Chinese Government Historiographical Bureau Peking Author of “Descriptive Sociology: Chinese” “China of the Chinese” Etc. With Thirty-two Illustrations In Colours By Chinese Artists George G. Harrap & Co. Ltd. London Bombay Sydney

In Memoriam

Gladys Nina Chalmers Werner Page 7 Preface

The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.

This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. Page 8

My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.

Edward Theodore Chalmers Werner

Peking

February 1922
http://www.gutenberg.org/files/15250/15250-h/15250-h.htm#d0e5806
作者 By Chinese Artists

此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
Public domain
本圖像現時因在中國著作權保護條款過期而處於公有領域

根據中華人民共和國(司法管轄區為中國大陸,不包括香港澳門)的著作權法,法人或者非法人組織的作品,職務作品及所有視聽作品,首次發表50年後或自創作之日起50年未發表,進入公有領域;著作權保護期於2021年6月1日前屆滿的自然人攝影作品,屬於公有領域;其他自然人作品,則在作者死亡後50年後進入公有領域。

根據中華民國(目前司法管轄區為地區)的著作權法,所有攝影作品,以及所有著作權持有者為法人的作品,在首次發表50年後,或者從創作之日起50年未發表,即進入公有領域。其他適用作品則在作者死亡後50年進入公有領域。

請特別注意:非美國來源的外國作品,必需在來源國與美國皆為自由授權,才能被維基共享資源接受。從中國首次發表的作品,除了某些情況下(如該發表作品不符合美國的著作權型態)在美國屬於公有領域,如果該作品在來源地的《烏拉圭回合協議法案》生效日期當時受著作權保護,則美國可以依據該法案進行回溯,恢復在美國的著作權保護(其中中華人民共和國的生效日期為1996年1月1日,中華民國則為2002年1月1日[1])。
致上傳者:請提供該圖像的首次發表時間及其作者或著作權持有者姓名。

你必須增加美國公有領域標籤顯示為何這個作品在美國屬於公有領域。 請注意這個作品在不適用較短期限法則的國家可能並不屬於公有領域,並有超過作者逝世後50年的著作權期限。其中,墨西哥為100年,牙買加為95年,哥倫比亞為80年,瓜地馬拉與薩摩亞為75年,瑞士和美國為70年,委內瑞拉為60年。


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維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
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1922

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二〇〇六年一〇月二七日 (五) 二〇時三五分於二〇〇六年一〇月二七日 (五) 二〇時三五分之縮三五二矩五一二(四〇 KB)PhidiasNL{{Information |Description= Picture of the Confusian philosopher Mencius. |Source= http://www.wisegorilla.com/images/confus/Mencius.jpg |Date= / |Author= / |Permission= The website only hosts public domain pictures ([http://www.wisegorilla.com/publicdoma

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